I once knew a man named Jeremy,
I guess you could call him a musician,
That is, if you call singing and playing
Touching the hearts of standbyers
With a song a profession.
He sat open cased, wood stooled,
With a guitar covered in stickers--
I love NY, Music is Life
Splattered over his weapon of choice,
And his voice
Soothing like the ocean rushing on the sand
That would turn any Sony BMG executive into his biggest fan
Opening his lips, vibrating strings
Soft whooing rush of subway trains
All melded together,
A cyclone of sounds, nobody heard,
Except those who vulnerably turned their heads
Turned their heads away from the trains and opened their ears
To surrender,
To listen,
To listen to his “gat”, his “nine”, his weapon of chaos and order
Tenderly, caressing his way of life,
He painted a masterpiece of song,
Cool blue harmonies,
Bright red melodies,
Garden green counterpoint,
Two bodies of song, bumping and grinding to the same tune,
fitting together like two puzzle pieces
Revealing something more,
A greater picture.
Standing and listening a crowd,
eyes closed, ears opened
all smoking from the same joint of inspiration
Got’em high as the sky,
A hallucination, a drug, an addiction,
Messing with the mind and emotions
All without touching hairs on the heads,
but instead attacking their hearts and their minds.
He streamed through the verses,
Fell through the chorus,
And ebbed and flowed under the bridge,
While keeping the same push and pull rhythm in the bodies,
And the same rushing motions in the ocean,
Spreading eargasms
to all who heard his own eclectic tsunami of sound.
Then, he finally reached his last chorus,
his last measure, then his last note.
And then he stopped,
A few clings of dropped coins.
Opening his lips, vibrating strings
Soft whooing rush of subway trains
A new crowd standing and listening,
Caught insects in the web of his art.
I once knew a man named Jeremy.
He was a musician.
FOR THE <3 of IT

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